Head Engineer

An obsessive music listener from an early age, Stephen became interested in the role technology could play in its creation during his teenage years. By the time he had figured out what the liner notes of the albums he was listening to actually meant, he knew what his path in life would be.


As an engineer, Stephen constantly strives for the balance between the technical and artistic, with an understanding that the emotion that a sound can induce is where the essence lies. This sensibility for the intangible qualities of sound has enabled him to develop a deep sonic palette to service a wide range of artists and genres. His varied work over two decades in audio production gives him the confidence and experience to take a tailored approach with each new project, harnessing the duality of analog and digital workflows.


Stephen’s contributions have received recognition at both the JUNO and Grammy awards as well as appearing at film festivals and theatres around the world. His credits include Alvvays, badbadnotgood, Sarah Harmer, Holy Fuck, Chantal Kreviazuk, Nick Maclean, Tanya Tagaq, and Whitehorse amongst many others.

Senior Engineer

Luke developed a keen ear and fascination with fidelity at an early age, leading him to pursue the creative process.

Hailing from London Ontario, Luke joined Revolution Recording after graduating from OIART (Ontario Institute of Audio Recording Technology) in 2013. After making a strong impression as a studio intern, Luke was hired at Revolution and has been engineering at the studio ever since.

His engineering credits include Gord Downie, Alexisonfire, City and Colour, Headstones, Broken Social Scene, Wintersleep, Matt Dusk, Manteca, and The Wilderness of Manitoba, and assisting hundreds of rock, jazz, classical, hip hop and pop recordings.  Luke’s list of JUNO-nominated and winning albums is extensive.

Luke specializes in reading the room and adapting to the needs of the artists, providing them with the assurance their music is being recorded to the highest standard.